William-Adolphe Bouguereau: Girl With a Pomegranate (1875) updated

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Girl with a pomegranate, by William Bouguereau (1875)

“One has to seek Beauty and Truth, Sir!”

These are the words of William-Adolphe Bouguereau in 1895.  He continues,

As I always say to my pupils, you have to work to the finish. There’s only one kind of painting. It is the painting that presents the eye with perfection, the kind of beautiful and impeccable enamel you find in Veronese and Titian.”

Immediately, I want to know more about this man who has such a passion for beauty and truth. Who is he? Why? How?  A brief biographical sketch will follow, as well as background information on “Girl With a.Pomegranate.

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Girl with a pomegranate, by William Bouguereau (detail)

Who Is William-Adolphe Bouguereau?

William-Adolphe Bouguereau (1825 –1905) was a French academic painter who favored realistic genre paintings using mythological themes, thus making modern interpretations of classical subjects.

According to Fred Ross on artrenewal.org:

….it was he [Bouguereau] who single handedly opened the French academies to women, and it was he who was arguably the greatest painter of the human figure in all of art history…  more importantly, he captured the tender and subtlest nuances of personality and mood. Bouguereau caught the very souls and spirits of his subjects much like Rembrandt .      

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Girl with a pomegranate, by William Bouguereau (detail)

L’Orientale à la grenade

The Sotheby’s Catalogue records the following:

At the close of the 1860s, Bouguereau’s reputation had been secured by his masterful portrayals of peasant life in the French countryside. Yet the artist did not limit himself in sources of inspiration and, like many of his contemporaries, became interested in the people and culture of North Africa and the Middle East.

In 1870 the artist completed Jeune fille orientale and five years later L’Orientale à la grenade, which, along with select other works (perhaps as few as six), comprise a rare group of Orientalist subjects within the artist’s oeuvre.

While Bouguereau did not travel to the region, numerous sources, books, exhibitions, and private collections of costume and artifacts could have helped inform his sensitive depiction of a young girl holding a pomegranate. 

Bouguereau seems to have been particularly fascinated by Egypt, and the girl’s intricate silver jewelry is typical of North African design (similar pieces are worn by the fellahs in his compositions of 1876 and 1880).  The gleaming red gems of her earrings complement the rich color of the pomegranate, its jewel-like seeds revealed by the girl’s peeling of the fruit.

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Girl with a pomegranate, by William Bouguereau (detail)

The Sotheby’s Catalogue continues,

Just as hands holding knitting or carrying a clay water pitcher are emblematic to Bouguereau’s rural narratives, the inclusion of an exotic pomegranate may also reveal the artist’s understanding of its long-standing symbolism of innocence (Thompson, p. 48). 

Though a departure in subject, L’Orientale à la grenade continues to demonstrate the artist’s brilliant ability to record intricate, nearly illusionistic details — from the blue stitching of her sleeve, small gaps suggesting its well-worn cloth, to the white backdrop of roughly applied paint to suggest a sun-baked plaster wall (which would appear behind the same model sitting in a village in the Marchande de grenades, also of 1875).

Meticulous Methods and Bad Blood

The lack of respect between (my beloved) French Impressionists, Post-Impressionists, and Bouguereau is well known. Grace Glueck wrote of those French avant-garde attitudes in The New York Times in 1985, but she also described Bouguereau’s methods:

[Bouguereau] learned superlatively well how to do a canvas in the grand manner, strictly observing the traditional academic standards for composition, drawing, color harmony and expression. And all his life, he was to use the time-honored Old Master procedures that led to a finished work: preliminary sketches, then oil studies, then highly finished drawings for all compositional figures including drapery and foliage renderings; next, detailed oil studies of heads and hands; then a large cartoon to be traced onto canvas, and then the painting itself. Whew! We’re light years away from the spontaneous pigmental ”accidents” of the Abstract Expressionists, who would undoubtedly give Bouguereau a touch of apoplexy. 

These methods produced L’Orientale à la grenade. Let us observe in detail:

Click for enlarged image:

“Rembrandt is said to have captured the soul of age.

Bouguereau captured the soul of youth.”

 Fred Ross at Art Renewal Center

In Summary

As the quintessential salon painter of his generation, Bouguereau was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work.

Near the end of his life in 1905, Bouguereau described his love of his art,

“Each day I go to my studio full of joy; in the evening when obliged to stop because of darkness, I can scarcely wait for the next morning to come; if I cannot give myself to my dear painting, I am miserable”.

He found Truth and Beauty in art, too.

Thanks for Reading 🙂

The End

References

Wikiquote contributors, “William-Adolphe Bouguereau,” Wikiquote, , https://en.wikiquote.org/w/index.php?title=William-Adolphe_Bouguereau&oldid=2385713 (accessed September 24, 2018).

Bouguereau (1895); Attributed in: Jefferson C. Harrison (1986) French paintings from the Chrysler Museum. Chrysler Museum, North Carolina Museum of Art, Birmingham Museum of Art (Birmingham, Ala.). p.45.

Sotheby’s, Girl with a pomegranate, by William Bouguereau, (1875). Catalogue note, http://www.sothebys.com/en/auctions/ecatalogue/2012/19th-century-paintings-n08847/lot.27.html (accessed 23 Sept 2018).

Art Renewal Center, William Bouguereau Biography by Damien Bartoli with Fred Ross, https://www.artrenewal.org/Article/Title/biography-of-william-bouguereau#2, (accessed  September 24, 2018).

Grace Glueck, The New York Times, Art View: To Bouguereau, Art Was Strickly ‘The Beautiful‘, Jan. 6, 1985, https://www.nytimes.com/1985/01/06/arts/art-view-to-bouguereau-art-was-strickly-the-beautiful.html  (accessed 24 Sept 2018). hmmm……Strictly???

Wikipedia contributors, “William-Adolphe Bouguereau,” Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=William-Adolphe_Bouguereau&oldid=858598198 (accessed September 24, 2018).

Image credit

William-Adolphe Bouguereau [Public domain], via Wikimedia Commons

For further information

10 Comments Add yours

  1. Sunny says:

    So fascinating!🤩

    Liked by 1 person

  2. JMN says:

    I worry a little about a statement such as “There is only one kind of painting.” The close-up of the eyes is compelling. Much technique on display in Bouguereau, a hyper-finished approach perhaps foreshadowing modern photo-realism? Did he learn from Ingres, I wonder? These are the maunderings of a rank layman of the arts!

    Liked by 1 person

  3. englepip says:

    I was not familiar with this artist at all but this work is beautiful. Thank you for drawing my attention to it.

    Liked by 1 person

    1. I appreciate your visit – thanks! 🙂

      Like

  4. lfpessemier says:

    I just want to say, I am so glad to find you.. Despite so much ugliness on the Internet, I can be sure to find something wonderful here.

    Liked by 1 person

    1. Your words are a balm to my soul. Truly, thank you. ❤️

      Like

  5. pirkkotervo says:

    Thank You

    Yesterday I learned to peel the pomegranate

    Pirkko

    Liked by 1 person

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