According to Colta Ives (2018), “The enormous appeal of gardens in the early twentieth century, especially to women of means, found frequent expression in the work of Édouard Vuillard, ” (C. Ives, p. 94). This painting was begun in 1920 at Vaucresson, a residential suburb west of Paris, where Vuillard’s friends Lucy and Josse (Jos) Hessel…