
The balalaika has its origins in Russian
folk music and is often used to articulate a
quick, repetitive rhythm, and
both musicality and rhythm typify Hellesen’s painting.
Anastasiia Tiurina (7 years) “Valenki” balalaika, Start 4:12
Although we do not know why Thorvald Hellesen chose to depict a balalaika in this painting, musical instruments in general were a frequent motif in cubist paintings. The relationship between the different art forms, such as music and painting, was also a theme that preoccupied many of the artists of the era. The balalaika has its origins in Russian folk music and is often used to articulate a quick, repetitive rhythm, and both musicality and rhythm typify Hellesen’s painting. The clear colours and the way in which the image is abstracted and dissolved into recurring forms help create a dynamic, pulsating visual harmony.
Text: Øystein Ustvedt
From “Highlights. Art from Antiquity to 1945”, Nasjonalmuseet 2014, ISBN 978-82-8154-088-0

Who Is Thorvald Hellesen?
Around 1920, Hellesen was a member of the progressive art community in Paris and became friends with artists such as Fernand Léger. He was one of few Norwegian artists to be inspired by cubism, but the painting also evinces a keen awareness of the other nascent movements of the time. Along with Ragnhild Keyser, Charlotte Wankel, and others, he is one of the leading Norwegian abstract modernists from the 1920s.Hellesen was forgotten for a long time. Compared with his Norwegian contemporaries, his selected style was different and radical. He disappeared from the Norwegian art scene after his paintings met little understanding in his native country around 1920, and a decade later he stagnated as an artist. Around 1970 his production was rediscovered, however, and the subsequent appreciation of his art has ensured him a more rightful place in Norwegian art history.
Text: Øystein Ustvedt
From “Highlights. Art from Antiquity to 1945”, Nasjonalmuseet 2014, ISBN 978-82-8154-088-0
Click for Enlarged View
Details: Art
- Thorvald Hellesen
- Balalaika (NOR)
- Creation date: ca. 1916
- Object type: Maleri (Painting)
- Materials and techniques: Olje på lerret (oil on canvas)
- Dimensions: 61 x 50 cm
- Source: Nasjonalmuseet, The Fine Art Collections
- Link: http://samling.nasjonalmuseet.no/en/object/NG.M.03283
Details: Music
- Concert variations on the theme of the Russian folk song “Valenki”
- Artist: Anastasia Tyurina (balalaika)
- Osipov Russian Folk Orchestra
- Conductor – Vladimir Andropov
- Tchaikovsky Concert Hall
- Moscow, September 13, 2018
Thanks for Visiting! 🙂
~Sunnyside
That is one tremendously talented young lady!
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Spunky little thing, isn’t she?! Thanks for visiting, EC. 🙂
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Thoroughly enjoyable. Art and music definitley do go hand in hand. I had never seen a Balalaika before, I was attracted to it because I have a passion for stringed instruments.
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I decided to post before completing this morning, but have just updated. The instrument is so interesting to me that I wanted to read some more. Knowing you enjoyed this through your love of guitar makes my day, Ally. Thanks for visting! 😊 ❤️
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You’re welcome my friend. Take care and be well 🙂
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🙏😎
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Lovely 😊. I really liked your idea of putting the video with rhe painting. What a little prodigy!!! Thank you for raising our awareness to new flavor combinations. Happy Sunday!!!
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She is remarkable! 🙂 Thanks for visiting, Jennifer, and Happy Sunday to you also! 🙏
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I always learn something here. I cannot say I am a fan of cubist art. Instead, this post drew my attention b/c it featured the balalaika. My mother loved the film “Doctor Zhivago” which, also, featured the balalaika. Thank you for reminding me of her.
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Anna, so sorry for the delay. I’m pleased that you shared your memory of your mother and the balalaika. I haven’t watched “Doctor Zhivago” in many, many years and did not even remember a balalaika. Thank you for posting! ❤️
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