“When, in 1893, Redon began to use colour, the nightmarish and macabre visions that had previously predominated in the drawings he called his Noirs gave way to a brighter vision of the world.La Voile grise is thus emblematic of Redon’s lyrical seascapes in which he depicted small stranded boats, a theme he would later return … Continue reading Odilon Redon: La Voile grise