Pierre Bonnard – At Sunnyside – Where Truth and Beauty Meet

Pierre Bonnard: Flowers on a Red Carpet

Hear More Bach At Sunnyside See More Pierre Bonnard At Sunnyside Les Nabis At Sunnyside Pierre Bonnard at wikimedia Pierre Bonnard at Christie’s Pierre Bonnard at Sotheby’s Art by Theme at Giverny Museum of Impressionism Read More Les Nabis on Wikiwand Pierre Bonnard on Wikiwand Japonisme on Wikiwand The Nabis at The Art Story Pierre Bonnard at The…

Pierre Bonnard: Corbeille de fruits

” …“On the dining room table stood baskets with tall handles of plaited osier or raffia,” recalled Bonnard’s grand-nephew Michel Terrasse, a frequent visitor to Le Bosquet, “somewhere to put the peonies and mimosa, the oranges, lemons, and persimmons gathered, with the figs, from the garden” (op. cit., 1988, p. 14).Departing from the Impressionists’ deftly…

Pierre Bonnard: Assiette de fruits

“By 1917, Bonnard had left the darker tones of his Nabis days firmly behind him and here we can see him in confident command of a luminous and transformative palette. Powerfully expressive, color in Bonnard’s still-lives radiates a very human heat, suffusing his interiors and the objects within them with a sense of the bodies…

Pierre Bonnard: i conti della giornata

See More Pierre Bonnard At Sunnyside Les Nabis At Sunnyside Pierre Bonnard at wikimedia Pierre Bonnard at Christie’s Pierre Bonnard at Sotheby’s Art by Theme at Giverny Museum of Impressionism Read More Les Nabis on Wikiwand Pierre Bonnard on Wikiwand Japonisme on Wikiwand The Nabis at The Art Story Pierre Bonnard at The Art Story Bonnard, Pierre,…

Pierre Bonnard: Sunlight

“The present landscape shows a view of the garden of “Ma Roulotte”, the artist’s house in Normandy, a garden that grew wild in a woodland profusion. In the foreground there is a winding path with a cat, humorously indicating the scale of the tall trees. In the background, glimpsed through the foliage, is the river,…

Pierre Bonnard: Bouquet de fleurs

“The still life motif formed an integral part of Bonnard’s œuvre and Bouquet de fleurs is exemplative of the artist’s long-standing exploration of colour. Bonnard applies broad gestural brushstrokes to delineate a profusion of flowers and verdant foliage that rise from a decorative blue vase and infuse the composition with a dynamic ebullience… Through this…

Bonnard: La Seine Pres de Vernon (1926)

“La Seine près de Vernon reflects the artist’s fascination with the lush nature of the region, which he transformed into a rich, yet carefully developed composition. The wild trees on the river bank act as a window that reveals the water and the expanses of sky and nature beyond it. The human presence is suggested…

Pierre Bonnard: Le petit déjeuner (1917)

“Bonnard developed an early obsession with color through his affiliation with the Nabis, a group of avant-garde artists working in fin-de-siècle Paris. These young painters, who included amongst their ranks Maurice Denis, Edouard Vuillard and Paul Sérusier, were specifically inspired by the examples of Post-Impressionists like Paul Gauguin and Vincent van Gogh. The Nabis went even further…

Julia Rovinsky: Sonata A Major K.331 (Mozart)

“Painted circa 1922, Le corsage rayé presents a radiant and quintessential example of Bonnard’s mastery of the interior scene. Painted from memory, Bonnard’s domestic vignettes stemmed from lived experience and years of inhabiting the same space as his subjects. Among his favoured models, …was his long-time muse and eventual wife Marthe de Méligny… Marthe’s enigmatic…

Pentatonix: My Heart With You

“An aspect of Bonnard’s art that grew in importance after 1900 was his Impressionist inheritance and its influence is very evident in the present work. In a departure from his earlier Nabi preference for flat pattern, unbroken fields of color and compositions freed from atmospheric effects, the present work makes transient light and modulated color…

Bonnard and Bach

“Albrecht Mayer discovered the music of J.S. Bach at the age of 8, as a choirboy at Bamberg Cathedral. Within a couple of years he was able to play some of the composer’s simpler keyboard pieces on the piano. “Even then,” he recalls, “I could feel this transcendent image of his music going through my…

Mozart: Clarinet quintet K581 in A major

“Bonnard’s fascination with the vibrant urban landscape of Paris can be traced to his paintings of the mid-1890s…The spectacle of urban modernity provided a colorful source of inspiration, and the artist was drawn to the variety of subjects it offered. His city scenes reflect a unique joie de vivre achieved through the use of bright…

Mozart: Piano Quartet No. 1 in G minor, KV 478

“The glistening azure-glazed vessel and vibrant floral arrangement exemplify Bonnard’s application of the intimisme of his earlier Nabis pictures and the vibrant coloration that define the most successful compositions of his later years. Still-lifes had occupied a large part of the artist’s oeuvre over the course of his career, but as he developed his style, his approach to these compositions is much more…

Pierre Bonnard: Fleurs des champs (c1916)

Read More Les Nabis on Wikiwand Pierre Bonnard on Wikiwand Japonisme on Wikiwand The Nabis at The Art Story Pierre Bonnard at The Art Story Bonnard, Pierre, Colta Feller Ives, Helen Emery Giambruni, and Sasha M. Newman. 1989. Pierre Bonnard, the graphic art. New York: Metropolitan Museum of Art. http://libmma.contentdm.oclc.org/cdm/ref/collection/p15324coll10/id/92079 , (accessed 8 Nov 2018). See…

Pierre Bonnard: Nature morte (1939)

“A scintillating vision of the domestic everyday, Nature morte from 1939 embodies the expressive possibilities of light and color. A superlative example of Pierre Bonnard’s late still lifes, the present work dates to the year in which the artist permanently relocated to the Côte d’Azur as a consequence of the Second World War and subsequently…

Pierre Bonnard: Dining Room in the Country (1913)

“In 1912, Pierre Bonnard bought a country house called Ma Roulotte (“My Caravan”) at Vernonnet, a small town on the Seine. This painting shows the dining room there, with cats perching on the chairs and Marthe de Méligny, the artist’s wife, leaning on the windowsill. Bonnard, who considered himself “the last of the Impressionists,” emphasized…

Pierre Bonnard: Iris et lilas (1920)

Pierre Bonnard: Palmier rose au Cannet (1924)

“…Watkins has described the process by which Bonnard mediated and transposed these observations of the landscape back in his studio: “Paintings begun in the memory of a visual experience encapsulated in a drawing were transformed through color into a rich, immensely varied surface made up of a tapestry of brushstrokes, glazes, scumbles, impasto, and highlights…

Pierre Bonnard: Flowers in a Stoneware Pot

“This rustic, variegated bouquet may have been placed either in the spacious dining room on the ground floor at Le Bosquet or in the intimate sitting area upstairs where Bonnard and Marthe took their breakfast and lunch each day. As always, however, Bonnard would have painted the composition in his studio, overt description giving way…

Pierre Bonnard: Renoncules au vase bleu

“For Bonnard, the still-life offered a perfect vehicle for his studies in light and color, with bundles of flowers and fruit among his favorite subjects to explore. In the present bouquet, a bright summer arrangement dominated by a group of orange ranunculuses, the flowers have begun to droop, their full, heavy blossoms dipping downwards, over…

A Visit to Bonnard’s Garden

“At the turn of the century, Bonnard rediscovered nature and colour, after the muted tones and the urban scenes of his Nabi years. He stayed more and more often outside Paris, in the Seine Valley and in the South of France. Impressionism inspired him, but he wanted to go beyond its direct translation of nature….

Pierre Bonnard: Deux corbeilles de fruits

“Bonnard’s vividly-colored and masterfully-composed domestic scenes and still lifes, like Deux corbeilles de fruits, circa 1935, would become hallmarks of the artist’s later oeuvre. The present work reveals Bonnard’s ability to synthesize an array of artistic influences, both contemporary and historic. Here, Bonnard appropriates the dynamic diagonal compositional order, tilting perspective, and imaginative use of…

Pierre Bonnard: The Croquet Game (1892)

The Game of Croquet is one of the first works by Pierre Bonnard, one of the founders of the Nabi group in 1888. It was exhibited in 1892 at the Salon des Indépendants under the title Twilight. The painting shows the garden of the family home, at Le Grand-Lemps, in Isère…The subject of the painting…

Pierre Bonnard: Paysage stylisé, Le Grand-Lemps

“Like many of the young artists who were affiliated with the modernist avant-garde on the cusp of the 20th century, Bonnard was a quick and early starter, and he made some remarkable pictures before he was only twenty-five. Executed circa 1890, Paysage stylisé (Le Grand-Lemps) represents the cutting-edge style of a new anti-naturalist tendency in…