Louis Valtat: Le vase de fleurs

Read More Louis Valtat at wikiwand See More Louis Valtat at Artnet Louis Valtat at Sotheby’s Louis Valtat at Christie’s Thanks for Visiting 🙂 ~Sunnyside

Van Gogh and Japan: Part 3

Japan in Arles “In early 1888, Van Gogh moved to Arles in the south of France, where he hoped to establish an art colony. Believing that painting could be reinvented through the genre of portraiture, he encouraged his fellow artists to paint themselves, and then to exchange the canvases. After receiving self-portraits from Emile Bernard…

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Johann Sebastian Bach: Christmas Cantata BWV 62

Read More Henri Le Sidaner at wikiwand See More Tag: Henri Le Sidaner At Sunnyside Henri Le Sidaner at Christie’s Henri Le Sidaner at Sotheby’s Henri Sidaner at Artnet Henri Le Sidaner at wikimedia commons Happy Sunday! 🙂 ~Sunnyside

Dame Laura Knight: ‘I Paint Today’

“At the Edge of the Cliff is one of the strongest works in this clifftop series. The young woman in her striking striped blue and white skirt and white jumper has a timeless quality to her, her outfit feeling as modern to a contemporary audience as it did over 100 years ago. She stands on the…

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Franz Marc: Blue Horse I (1911)

Read More Franz Marc at wikiwand Franz Marc at Art Story Franz Marc: The Painter Who Loved Horses Franz Marc’s artist page at Guggenheim Franz Marc Museum website See More Tag: Franz Marc At Sunnyside Thanks for Visiting 🙂 ~Sunnyside

Vincent van Gogh: L’homme est en mer (1889)

“Painted at Saint-Rémy in October 1889, Van Gogh’s haunting depiction of a young mother, pining for her husband away at sea, is a brilliant example of the artist’s transformative vision of a time-honoured subject… L’Homme est en mer is Van Gogh’s own interpretation of a work of the same title by his contemporary, the French…

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Alfred Sisley: Matinée d’octobre près de Port-Marly (c1876)

“Painted following the First Impressionist Exhibition in April 1874—which had opened the eyes of the public to the revolutionary Impressionist aesthetic—and around the time of its second iteration which helped cement the validity of its new, modern terminology, Matinée d’octobre près de Port-Marly pays fitting homage to the movement’s pursuit of painting en plein air. Determined to capture…

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