Nikolai Bogdanov-Belsky: Country Boys (1916)

Bogdanov-Belsky’s Best: Pre-revolution Bogdanov-Belsky’s pre-revolutionary works include some of his most striking canvases, the scale alone often an indication of his artistic confidence. The present lot is an exceptional example of the qualities that mark out these rare, early paintings – tight brushwork, vivid blues and greens, and an impact that would grow gradually more…

Emile Claus: Winter Orchard (1911)

“Go Home Quickly” Emile Claus, a Belgian painter, draughtsman, pastellist, and print-maker, became one of the leading artists in Belgium supporting the movement of “Luminism.”  Influenced by French Impressionism and Neo-Impressionism after viewing the works of Henri Le Sidaner and Claude Monet, Emile Claus changed his painting style to “brighter colors and pleinairisme.” in an…

Nikolai Bogdanov-Belsky: Symphony (1920)

Well, No Wonder! For most of this year, I have searched for good quality images of Nikolai Bogdanov-Belsky’s paintings. His work deserves close study, which demands images of the highest resolution. Furthermore, many of us won’t find his works in museums near us for scrutiny.  Symphony is one of my favorites. Sotheby’s writes, “Bogdanov-Belsky studied…

Emile Claus: Sunny Day (1899)

A Risk: Google Translates Emile Claus’ oeuvre gives us a picture of everyday life in the Leie region around the turn of the 1900s. A painting as Sunny Day, which was created exactly that year, is a model for his narrative impressionism. The canvas displays remarkable parallels with the work of a well-trained photographer. After…

Kojima Torajiro and His Patron

Self Portrait by Torajiro Kojima (1881 – 1929). Museum of Fine Arts in Ghent, Belgium, Torajirō Kojima [Public domain or CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0)%5D, from Wikimedia Commons   Japan Meets Modern Western Art Torajiro Kojima (1881-1929) was a Japanese artist who chose to use the same visual language as the Impressionists. After a course in Western…

Jenny Montigny: “The Gardener”

Google Said ‘oeuvre’, not I 😉 Jenny Montigny preferred to paint everyday scenes from the countryside and village life in Sint-Martens-Latem. As here in “The Gardener”, these snapshots are not a reason to visualize social abuses or emphasize the weight of labor. On the contrary, Montigny always painted a harmonious society. The subject itself seems…

Torajirō Kojima: Woman Reading

Modern Western Art Meets Japan Torajiro Kojima (1881-1929) was a Japanese artist who chose to learn the techniques of the Impressionists. After a course in Western painting at the University of Fine Arts and Music in Tokyo, Japan, Torajiro Kojima left Japan in 1908 to study in Paris. With the Ohara family as patrons, he enrolled…

Eric Sloane: Barn in the Valley

  Click for Enlarged Image: Best viewed At Sunnyside   To be auctioned November 8:   Eric Sloane, Barn in the Valley.Oil on Masonite, 17-1/2 x 22-3/4 inches (44.5 x 57.8 cm), Signed, image source: MutualArt: https://www.mutualart.com/Artwork/Barn-in-the-Valley/9B9F8C2531AAE839   Thanks for visiting! 🙂 The End  

Maurice Prendergast: Along the Seine (1894)

  Click for Enlarged Image: Along the Seine  by Maurice Prendergast (1892-1894),Height: 33.02 cm (13 in.), Width: 24.13 cm (9.5 in.),  Whitney Museum of American Art – New York, NY, Painting – oil on canvas, Public domain, Image source: The Athenaeum Thanks for Visiting! 🙂 The End

Childe Hassam: The Ledges, October in Old Lyme, Connecticut, 1907

From Tonalism to Impressionism “Already familiar with other New England art colonies, Childe Hassam found much to like in Old Lyme, including the town’s history and rugged terrain. He depicted the area’s rock ledges in both spring and fall during stays at Florence Griswold’s boarding house. Choosing a square canvas and setting a high horizon line,…