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Category: Post-impressionism
Henri Le Sidaner: Vase of Flowers
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Vincent van Gogh: Bedroom in Arles
“Van Gogh conceived the first Bedroom in October 1888, a month after he moved into his “Yellow House” in Arles, France. This moment marked the first time the artist had a home of his own, and he had immediately and enthusiastically set about decorating, painting a suite of canvases to fill the walls. Completely exhausted…
Paul Gauguin: Melancholic (1891)
“Disillusioned with modern society, Paul Gauguin left France for Tahiti in 1891 in search of an earthly paradise that he imagined was untouched by civilization. Upon arriving, he realized that colonialism had all but eradicated traditional Tahitian culture. Here, a Tahitian woman wears a Western-style dress and gold marriage band introduced by Catholic missionaries. In…
Evangelina Mascardi: Lute Suite in E Major (Bach)
“Painted in 1925, the present work is an outstanding example of Anglada-Camarasa’s departure from his early depictions of gitanas as the colourfully exotic denizens of the gaudy music halls and cafés-concerts of Paris. From 1907 Anglada-Camarasa began to paint his gitanas in a softer, more vulnerable light, accompanied by small children. Blossoming, vibrant flowers encircle the figures of mother and child, with…
Brandenburg Concerto No. 4 in G major, BWV 1049
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Vincent Van Gogh: The Starry Night
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Pentatonix: My Heart With You
“An aspect of Bonnard’s art that grew in importance after 1900 was his Impressionist inheritance and its influence is very evident in the present work. In a departure from his earlier Nabi preference for flat pattern, unbroken fields of color and compositions freed from atmospheric effects, the present work makes transient light and modulated color…
Etienne de Lavaulx: Il est né le divin Enfant
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Maurice Brazil Prendergast: East Boston Ferry
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Konstantin Gorbatov: Amalfi
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Fern Isabel Coppedge: Carversville Brook
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Léon de Smet: Coucher de Soleil sur le Village (c.1920)
“The painting dates from the period in which the artist had begun to experiment with burlap, following his move to London in 1914, on the outbreak of World War One. While de Smet’s use of discrete dashes of impasto colour does indeed recall Post-Impressionism, he allows the rough texture of the burlap beneath to ‘breathe’…
Konstantin Gorbatov: The Invisible City of Kitezh
Konstantin Gorbatov’s masterwork The Invisible City of Kitezh… A well-known and unforgettable image, this composition is unique in Gorbatov’s oeuvre and combines folklore with the artist’s observations of life on the Volga. The legend of Kitezh originates from the early thirteenth century when Iurii II of Vladimir founded the city on the banks of the…
Julia Rovinsky: Harp Concerto in B-Major (Handel)
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Bonnard and Bach
“Albrecht Mayer discovered the music of J.S. Bach at the age of 8, as a choirboy at Bamberg Cathedral. Within a couple of years he was able to play some of the composer’s simpler keyboard pieces on the piano. “Even then,” he recalls, “I could feel this transcendent image of his music going through my…
Jun Luke Foster: Serenade (Schubert/Liszt)
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Home Free: Sea Shanty Medley
“According to Petra ten-Doesschate Chu, “Martin owed his success to the development of a painting style that melded traditional and modernist elements. While he valued and relied upon his solid academic training, he was also quite attracted to the innovations of the Impressionists and Neo-Impressionists. With the former group, especially Claude Monet, he shared an…
Krystian Zimerman: 4 Impromptus D. 935 (Schubert)
“I’m ploughing on like a man possessed”Following a third breakdown in the height of summer, Van Gogh returned to painting once again in September. As the heat of the Provençal summer cooled and autumn arrived, the artist returned once again to olive trees, finding in their forms and foliage a subject that was unchanging and…
Paul Gauguin: Autumn in Brittany
“Fleeing what he felt was the overly civilized and decadent environment of Paris, Paul Gauguin lived periodically in the remote and rugged Brittany region of northwestern France. In works such as this, he sought to convey traditional village life, which he considered an antidote to the ills of modern society. Unlike the Impressionists, Gauguin did…
Vincent Van Gogh: Wheat Fields With Reaper (1890)
“Vincent van Gogh was fascinated by the vast fields of wheat that stretched above Auvers-sur-Oise, a town north of Paris where he lived the last two months of his life. He painted many views of these fields, including this landscape with a reaper cutting the golden grain while the stacked sheaves recede toward a village…
Vivaldi: Concerti con molti strumenti (E. Galante and F. Biondi)
“In its final form, the painting is a private palimpsest of the various phases of Gauguin’s evolution as a painter, documenting—to paraphrase the title of the artist’s later Tahitian masterpiece—where he had come from (“d’où venons nous”), who he was (“que sommes nous”), and where he was going (“où allons nous”). “Tracing the trajectory of…
Sonnet: Healing Works, by Ana Daksina
Healing Works by Ana Daksina Has something very bad happened to you, Something that you can never now forget? Something which brings you sad each day into Wondering how unto the next you’ll get? There is a way, friend, to relieve the pain A way to bring to others benefit So you and they tranquility…
Mozart: Clarinet quintet K581 in A major
“Bonnard’s fascination with the vibrant urban landscape of Paris can be traced to his paintings of the mid-1890s…The spectacle of urban modernity provided a colorful source of inspiration, and the artist was drawn to the variety of subjects it offered. His city scenes reflect a unique joie de vivre achieved through the use of bright…
Hauser and Morricone: Theme for Ennio
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Paul Gauguin: Nature morte avec pivoines de chine et mandoline (1885)
“The dominant blue palette in Nature morte avec pivoines de chine et mandoline is exceptional not only for its brilliance and rarity within Gauguin’s oeuvre but also for its evocative symbolism within art history. Often connoting the numinous and the divine, the color blue and its spiritual significance would not have been lost on the…
Vincent van Gogh: Self Portrait with Bandaged Ear (1889)
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Mignarda: Audi Benigne Conditor
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Mozart: Piano Quartet No. 1 in G minor, KV 478
“The glistening azure-glazed vessel and vibrant floral arrangement exemplify Bonnard’s application of the intimisme of his earlier Nabis pictures and the vibrant coloration that define the most successful compositions of his later years. Still-lifes had occupied a large part of the artist’s oeuvre over the course of his career, but as he developed his style, his approach to these compositions is much more…
Thomas & Brocal: Piano concerto No.1 in E minor, Op.11 (Chopin)
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At Sunnyside - Where Truth and Beauty Meet 