Mozart – Page 2 – At Sunnyside – Where Truth and Beauty Meet

Mozart: Piano Quartet No. 2 in E-Flat Major, K. 493

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Mozart: Piano Quartet in E Flat Major K 493

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The Jussen Brothers Play Mozart

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LSO Clarinet Trio Plays Mozart

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Edmund William Greacen: In the Garden

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Julia Rovinsky: Sonata A Major K.331 (Mozart)

“Painted circa 1922, Le corsage rayé presents a radiant and quintessential example of Bonnard’s mastery of the interior scene. Painted from memory, Bonnard’s domestic vignettes stemmed from lived experience and years of inhabiting the same space as his subjects. Among his favoured models, …was his long-time muse and eventual wife Marthe de Méligny… Marthe’s enigmatic…

Frederick Carl Frieseke: The Blue Gown (1917)

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Jun Luke Foster: Sonata in A minor K310 (Mozart)

“The present pastel is Redon’s beautiful rendering of the Cain and Abel story. Christian imagery rarely appeared in his early work. However, during the 1890s Redon responded to the Catholic revival that emerged in France during the previous decade and remained a powerful force in the nation’s cultural life until the First World War…Biblical imagery…

Mozart: Clarinet Quintet in A major, K581

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Mozart: Complete Divertimenti for Wind Ensemble

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Mozart: Piano Quartet No. 1 in G Minor, K. 478

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Mozart: Sinfonia concertante, KV 364

William Nicholson : Double Anemones (1921)

“Here Nicholson employs an almost square format, which is unusual for him, and the rich, dark background of his pre-war still lifes makes a return. The scarlet, purple, pink and white anemones in a simple white mug with painted decoration are standing on a thin white cloth, partially covering a plain wooden table. Silver and…

Mozart: Quintet for Piano and Winds in E flat Major, KV 452

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Mozart: Piano Quartet in E Flat Major K 493

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Mozart and Mønsted’s “Young Woman from Capri” (1883)

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Stradivari Quartet: Prussian Quartett KV 575 (Mozart)

“Brendekilde trained as a stonemason before studying sculpture at the Kongelige Danske Kunstacademi (1877-1881) in Copenhagen. In 1880s Brendekilde painted together with L.A. Ring on Fyn and influenced each other’s work. Influenced by Impressionism, Brendekilde was a sensitive colourist. See P.M. Hornung, ‘NY Dansk Kunsthistorie’, Band 4, 1993, pp. 220-223 & C. Stensgaard Nielsen, in…

A Little Mozart, A Little Munnings

“Munnings frequently experimented with this theme of a huntsman manoeuvering through thick brush approaching a bank or ditch and this is typical of his style at this date. His own hunting experiences often inspired his vision and it is probable that this horse is ‘the brown mare’ whom Munnings describes in his memoirs as ‘a…

Mitsuko Uchida: Mozart’s Piano Concerto No. 25

“Dating from the period in which Léon de Smet was living in an artists’ commune in Saint-Martens-Latem, in his native Belgium, the present painting displays the influence of French developments in Impressionist and Neo-Impressionist thought on the artist’s work…Particularly pertinent to this canvas is the Impressionist fascination with shadow and half-shadow; their infinite nuances of…

Mozart: Sonata in A Minor K. 310, Mvt. 2

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Mozart: Clarinet quintet K581 in A major

“Bonnard’s fascination with the vibrant urban landscape of Paris can be traced to his paintings of the mid-1890s…The spectacle of urban modernity provided a colorful source of inspiration, and the artist was drawn to the variety of subjects it offered. His city scenes reflect a unique joie de vivre achieved through the use of bright…

Mozart: String Quartet No. 21 in D major, K. 575

Sharp is primarily celebrated for her sundrenched landscapes such as the present painting. The critic for The Artist stated in April 1935 that ‘I think I can say without fear of contradiction that Dorothea Sharp is one of England’s greatest living painters. Full of sunshine and luscious colour, her work is always lively, harmonious and…

Menahem Pressler: Piano Concerto No. 27 in B-flat major, K. 595 (Mozart)

“The Piano Concerto No. 27 in B-flat major (K. 595) is the last of Wolfgang Amadeus Mozart’s (1756 – 1791) piano concertos, of a total of 21. He wrote it in 1791, the year of his death. At its premiere in Vienna, Mozart played the solo part himself – it was to be his final…

Mozart: String Quartet No. 16 Es-Dur KV 428

“In ‘Dédé at the table’ the artist’s attention is evenly divided between the girl and her surroundings. The décor, a flowery wall covering and a flowery table cloth obtrude upon us. The feeling of depth has almost disappeared and the strong diagonal line from lower left to upper right is dominant. The still life of…

Mozart: Piano Quartet No. 1 in G minor, KV 478

“The glistening azure-glazed vessel and vibrant floral arrangement exemplify Bonnard’s application of the intimisme of his earlier Nabis pictures and the vibrant coloration that define the most successful compositions of his later years. Still-lifes had occupied a large part of the artist’s oeuvre over the course of his career, but as he developed his style, his approach to these compositions is much more…

Mozart: Piano Quartet No. 1 in G Minor, K. 478: II. Andante

“Richard E. Miller’s Tea-Time, an elegant and sumptuous work, exemplifies the artist’s celebrated, luminous images of young women in luxurious interiors that often open to gardens. A decorative painting in the Impressionist style, Tea-Time demonstrates Miller’s mastery of brushwork and color to produce a richly textured canvas. Miller executed this work around 1914 while living…

Mozart: Piano Quartet No. 2 in E-Flat Major, K. 493: I. Allegro

“Painstakingly composed with small touches of brilliant colour, Couture sous la grande pergola illustrates Henri Martin’s mastery of Neo-Impressionist technique, as well as his penchant for classical motifs. Depicting an outdoor scene, this work captures the vibrant effect of sunlight coming through the foliage of a pergola in subtle variations of perfectly harmonised tones. Decomposing…

Anto Carte: Satyr and Nymph (1914)

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Lang Lang: Sonata in C, K. 545, Allegro (Mozart)

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Grigory Sokolov: Piano Sonata No. 16 in C Major (Mozart)

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