Frances Hodgkins: Maori woman and child (1900)

Frances Mary Hodgkins (1869-1947) is arguably New Zealand’s leading expatriate artists. Her works capture the spirit of an era greatly influenced by Impressionism and the beginnings of en plein air painting, Post-Impressionism, Fauvism and two World Wars. Source: Jonathan Grant Gallery Click For Enlarged Detail Video: Jonathan Grant Gallery Details Name:  Maori woman and child…

Mary Cassatt: Mother and Two Children, 1906

“I do not admit that a woman can draw like that,” said Edgar Degas when he saw one of Mary Cassatt’s pictures. David Lowe continues in American Heritage, At eight o’clock on the evening of June 14, 1926, a very old woman—blind and suffering from advanced diabetes—died in her chateau on the edge of the…

Mary Cassatt: On a Balcony (1878-1879)

Cassatt Catches Quiet Moments During Mary Cassatt’s early Impressionist period, she frequently focused on the activities of middle-class women in society—at the theater or taking tea, for example. At first glance, the arresting painting ‘On a Balcony’, which was shown in the 1880 Impressionist exhibition, appears to depict a woman in a public setting. However,…

Tamara Natalie Madden: “Out of Many, One People”

Though Tamara Natalie Madden was born in Kingston, Jamaica, she spent her teenage years in Madison, Wisconsin. Born with dark skin to a mother with light skin, Ms. Madden observed endemic racist behavior from people of color, both in Jamaica and in the United States – based solely on the degree of darkness of skin;…

Lilian Westcott Hale: The Convalescent (1906)

Echoes of Japanese Prints – and Monet Lilian Westcott Hale, whose work is associated with the Boston School of American Impressionism, painted The Convalescent in 1906, shortly after completion of her formal art training at the School of the Museum of Fine Arts, Boston, Massachusetts. Typical of American Impressionists of the time, Hale chose an…

Lilla Cabot Perry: The Blue Kimono (1915)

Who Is Lilla Cabot Perry? Lilla Cabot Perry (1848 – 1933), an American artist and writer, is best known as an Impressionist painter, but she also published four volumes of original poetry and a translation of classical Greek verse.  According to National Museum of Women in the Arts, “Although she had no formal art training until age 36,…

Sister From The Order Of The Pre-Raphaelites

Lately, I have been delving into the lives of some of the talented women surrounding the Pre-Raphaelite movement, both artists and models, so I am delighted to re-blog this poem by Gwendrina. Published at The Peaceful Pub, “Sister From The Order Of The Pre-Raphaelites” is a poem about “a fictitious member of the group based…

Isobel Lilian Gloag: Four Corners to my Bed…

  ‘Four corners to my bed Four angels round my head Matthew, Mark, Luke & John Bless the bed that I lie on’     What Does This Mean? James Greig explains this rhyme in his essay “Isobel Lilian Gloag and Her Work“,  published in The Magazine of Art, Volume 26 in 1902: ” [This]…

Kyoto Botanical Garden — rlmcdermott

What kind of trees were they that broke the color– all tall and green and dancing in the slow sunlight of an April afternoon? Women in blue kimonos stood beneath the delicate branches snapping pictures digital and bright. Children played, young mother’s strolled, stooped old men finished with their lives sat on stone benches. An…

Marie Spartali Stillman: Beatrice (1895)

Marie Spartali Stillman’s Earthly Beatrice Loosely inspired by the writings of the early Renaissance poet Dante Alighieri (1265–1321), this painting by Marie Spartali Stillman depicts Dante’s beloved Beatrice who appears in both the Vita Nuova and Purgatory. “While Dante’s Beatrice is described in terms of the divine, Stillman paints a more earthly beauty, lost in…

Marie Spartali Stillman and Mr. Shakespeare: Love Sonnets

Sonnet 116: Let me not to the marriage of true minds By William Shakespeare     Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O no! it is an ever-fixed mark That looks on tempests…

Jenny Montigny: “The Gardener”

Google Said ‘oeuvre’, not I 😉 Jenny Montigny preferred to paint everyday scenes from the countryside and village life in Sint-Martens-Latem. As here in “The Gardener”, these snapshots are not a reason to visualize social abuses or emphasize the weight of labor. On the contrary, Montigny always painted a harmonious society. The subject itself seems…