Tamara Natalie Madden: “Out of Many, One People”

Though Tamara Natalie Madden was born in Kingston, Jamaica, she spent her teenage years in Madison, Wisconsin. Born with dark skin to a mother with light skin, Ms. Madden observed endemic racist behavior from people of color, both in Jamaica and in the United States – based solely on the degree of darkness of skin;…

Isobel Lilian Gloag: Four Corners to my Bed

  ‘Four corners to my bed Four angels round my head Matthew, Mark, Luke & John Bless the bed that I lie on’ What Does This Mean? James Greig explains this rhyme in his essay “Isobel Lilian Gloag and Her Work“,  published in The Magazine of Art, Volume 26 in 1902: ” [This] is a…

Bibi Zogbé: Untitled (1936)

Charles Corm (1894-1963), a Lebanese writer, said about Bibi’s hidden world behind her flowers: “Each one of Bibi flowers seems a naked soul, tormented by passion, sobbing with delight, tensed to the extreme, reaching towards infinity.” Dalloul Art Foundation, quoting from [8] Zoghbé, Bibi., and Charles. Corm. Bibi Zogbé. Les Peintres Du Liban ; Premier…

Marie Spartali Stillman: Beatrice (1895)

Who Is Maria Spartali Stillman? Marie Euphrosyne Spartali, later Stillman, (1844 –1927), was a British Pre-Raphaelite painter and model, arguably the greatest female artist of that movement. During a sixty-year career, she produced over one hundred and fifty works, contributing regularly to exhibitions in Great Britain and the United States. (2) One Dante Is Never…

Mary Cassatt: Lydia Crocheting in the Garden at Marly (1880)

“Cassatt and her family spent the summer of 1880 at Marly-le-Roi, about ten miles west of Paris. Ignoring the village’s historic landmarks in her art, Cassatt focused instead on the domestic environment. Here, she portrayed her elder sister, Lydia, fashionably dressed and insulated by a walled garden from any modern hurly-burly. Lydia is absorbed in…

Happy Birthday, Dear One!

Although you are missed today as every other day, you will always be a part of every lovely landscape. ❤️❤️❤️

Mary Cassatt: The Tea (1880)

“Cassatt’s paintings often document the social interactions of well-to-do women like herself. The activities they depict—tea drinking, going to the theatre, tending children—fall within the normal routine for Cassatt’s sex and class. Yet the painter’s insistence upon representing such episodes from the modern world (even a sheltered segment of it), her dislike for narrative, and…

Christina Rossetti: Holy Innocents

Holy Innocents by Christina Rossetti Sleep, little Baby, sleep; The holy Angels love thee, And guard thy bed, and keep A blessed watch above thee. No spirit can come near Nor evil beast to harm thee: Sleep, Sweet, devoid of fear Where nothing need alarm thee. The Love which doth not sleep, The eternal Arms…

Emily Carr: Who Is She?

Emily Carr: A Compelling Story I started this post intending only to feature one interesting and beautiful totem watercolor, but then I discovered the compelling story of the artist herself. As stated in summary by the Vancouver Art Gallery, “Her independence as a woman when domesticity was expected, her resolve to travel frequently and unaccompanied…

Frances Hodgkins: Maori woman and child (1900)

Frances Mary Hodgkins (1869-1947) is arguably New Zealand’s leading expatriate artists. Her works capture the spirit of an era greatly influenced by Impressionism and the beginnings of en plein air painting, Post-Impressionism, Fauvism and two World Wars. Source: Jonathan Grant Gallery Click For Enlarged Detail Slideshow best viewed At Sunnyside Video: Jonathan Grant Gallery Details…