“In The Yellow Room Frieseke fused bold color juxtapositions and careful formal design, bringing together the qualities he most admired in the work of Monet and Whistler. He posed his model in the living room of his own house in Giverny, which itself was one of his artistic creations. Frieseke had painted the walls lemon…
Tag: Giverny art colony
Frederick Carl Frieseke: The Rose Peignoir
“In the 1890s and the early decades of the twentieth century, American artists such as Mary Cassatt, Theodore Robinson, Childe Hassam, and Frederick Frieseke were inspired by French Impressionism, and began presenting their subjects in bright sunlight, utilizing broken, staccato brushwork and vivid hues. Frieseke traveled to France as early as 1898, and later settled…
Frederick Carl Frieseke: La Poudreuse
“The woman, likely the artist’s wife Sarah O’Bryan, sits before her poudreuse, compartments open, selecting a necklace to wear…The mood is contemplative yet cheery. The open top of the center compartment draped with a blue and yellow shawl begins a diagonal line that recedes into the painting through the sitter on to the back of…
Frieseke and an Irish Folk Song
“Frederick Frieseke’s The Hammock intimately captures the artist’s wife Sarah, whom he nicknamed Sadie, lounging in the private garden of their home in Giverny, France…This painting has all the hallmarks of Frieseke’s mature impressionist style–loose brushwork, a fascination with sunlight, and a highly decorative surface treatment characterized by abundant pattern and vibrant color. The diagonal…
Frederick Carl Frieseke: The Bird Cage
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Frederick Carl Frieseke: Young Girl Before a Mirror in a Pink Dress
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Frederick Carl Frieseke: Through the Vines
“This painting depicts the artist’s wife, Sarah (nicknamed Sadie), in a boat on the river Epte near Giverny, France. Sadie was also a painter and often chose props for her husband’s compositions and posed as his model. The Friesekes were part of a large group of American artists living in Giverny at the beginning of…
Frederick Carl Frieseke: Foxgloves
“In Foxgloves a woman stand in a garden, enveloped in variegated flowers and verdant foliage. Conveying a romantic parallel between the woman and flowers, he blends her into the background essentially placing a “flower” within the flowers. Frieseke noted, “My one idea is to reproduce flowers in sunlight. I do not suggest detail by form,…
Frederick Carl Frieseke: Blue Curtains
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Víkingur Ólafsson: Bach’s Goldberg Variations
“The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of…
Martin Helmchen Plays Mozart
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Frederick Carl Frieseke: Hollyhocks
During the first two decades of the 20th century Frieseke isolated himself at Le Hameau, a house adjacent to Monet’s at Giverny, and painted images of a garden world…The theme of the monumental, graceful woman with a parasol appeared often in Monet’s and Renoir’s works of the 1870s and 1880s and in Frieseke’s oeuvre between…
World Piano Day 2024
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Richard Edward Miller: Contemplation
“Marie Louise Kane writes, “A series of women-in-interiors painted around 1913…are among Miller’s most inventive works. By placing his figures indoors in front of windows overlooking gardens, as he increasingly did, Miller could combine the play of natural light with complex patterns created by man-made objects, like shutters, blinds, wicker chairs, striped and tiered fabrics,…
Richard Edward Miller: Sewing by Lamplight
“Miller was among a group of American artists living and working abroad in France and his reputation grew through regular exhibitions at the Paris Salon According to Marie Louise Kane, “At the same time that he was painting large, impressive canvases for exhibition and sale, Miller created smaller, more intimate works in a surprisingly spontaneous,…
Anna Fedorova Plays Tchaikovsky
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Richard Edward Miller: Signora alla Teletta
“Marie Louis Kane has said of the present work, “With this painting Miller comes back to the subject of a young woman seated at her dressing table which he first introduced in his work in 1904 and which he successfully reinterpreted for the rest of his career.” She goes on, “In Signora all Teletta, the…
Frederick Carl Frieseke: The Blue Gown (1917)
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Richard Edward Miller: Seated Woman Before a Mirror (c.1925)
“With the outbreak of World War I, Miller returned to the United States, staying for a short time in California, before finally settling in Provincetown, Massachusetts in 1917. There he continued his practice of setting his models in studio-designed sunrooms. Seating his models in front of the windows and doors of his studio, opening to…
Krystian Zimerman: Piano Concerto No. 5 (Beethoven)
“The boldly checked taffeta skirt in the painting echoes one of Miller’s early successes in the genre—Chinese Statuette, ca. 1909-1910 (The Saint Louis Art Museum, Saint Louis, Missouri), a Sargentesque portrait of his wife clad in the same skirt (rendered slightly darker). The repeated use of this skirt, which appears in several other paintings over…
Maurice Ravel: Pavane pour une infante défunte
“The pavane… is a slow processional dance common in Europe during the 16th century (Renaissance).” READ MORE; wikiwand “After a performance by Charles Oulmont, Ravel mentioned to him that the piece was called “Pavane for a dead princess”, not “dead pavane for a princess”. When asked by the composer-conductor Manoah Leide-Tedesco how he arrived at…
Kyuhee Park: Sonata in D major, K.178 (Scarlatti)
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Hauser: Air on the G String (Bach)
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Mozart: Piano Quartet No. 1 in G Minor, K. 478: II. Andante
“Richard E. Miller’s Tea-Time, an elegant and sumptuous work, exemplifies the artist’s celebrated, luminous images of young women in luxurious interiors that often open to gardens. A decorative painting in the Impressionist style, Tea-Time demonstrates Miller’s mastery of brushwork and color to produce a richly textured canvas. Miller executed this work around 1914 while living…
Camille Thomas: Cello Sonata in G Minor, Op.65 (Chopin)
“A journey in three chapters to discover Chopin’s life through the sound of the cello. The most ambitious project of the Franco-Belgian cellist Camille Thomas. Camille Thomas plays on the Franchomme’s mythical cello – the Stradivarius Feuermann. The Chopin’s sonata for cello and piano was dedicated to his friend Auguste-Joseph Franchomme. Franchomme transcribed the Chopin’s…
Frederick Carl Frieseke: Yellow Room – Afternoon (1910)
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Frederick Carl Frieseke: Japanese Parasol
“According to Nicholas Kilmer, the present work was painted circa 1913 when the artist spent the winter with his family in Corsica. It was around this time that the burgeoning Giverny Group of American painters had drawn the attention of art critics back in New York. Henry McBride regarded Frieseke and the work of his…
Vivaldi: Concerto for Two Violins and Two Cellos
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Frederick Carl Frieseke: Child Knitting (1922)
“While Frederick Carl Frieseke is admired for his beautiful images of women, it is his paintings of his daughter Frances that offers an intimate glimpse into the artist’s life. Child Knitting is a tender portrait of the young girl in the garden of their Normandy home. She contently sits knitting, enveloped by the lush grass….
FREDERICK CARL FRIESEKE: The Parrots (1910)
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