
“In her autobiography, Theatre Street, Tamara Karsavina recalls sitting for Jacques-Emile Blanche in 1911: “That summer I sat to Jacques Blanche for my portrait. A quieter refuge from the feverish pulsation of Parisian life could not have been found than his large studio at Passy. The same restfulness emanated from the artist himself. There was before me yet another aspect of French mind. In his mouth the un- avoidable personal remarks of artist to model had the flavour of dispassionate observation. His sense of the picturesque he said was curiously amused by the slender structure of my facial bones and the unexpected vigour of my neck. To bring out this peculiarity he had long studied me, finally deciding on the turn of the head, which seems to give me something imperative to the pose of Firebird which he had chosen”. (Tamara Karsavina, Theatre Street, London, 1930, p. 294).”
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Thanks for Visiting 🙂
~Sunnyside

This was very interesting to see. I couldn’t help but notice the black cat with her. That made me like her more. 🙂 Thanks for the interesting film and beautiful painting. Have a great day!
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Love her expression. 😍
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🩵💙🩵
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For an account of my wonderful evening with the Bolshoi ~ and the amazing day which preceded it ~ ask my search bar for “A Wonder to Recall.” 🙋✨
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Thank you for presenting this absolutely wonderful portrait of Tamara Karsavina. Karsavina, according to all I have read about her, was a magnificent ballerina. Apart from dancing in the Ballets Russes, she was a founding member of, what later would be called, The Royal Academy of Dance. She was an inspiration to many dancers and teachers worldwide;a magnificent dancer and an astonishing teacher. Please allow me to add that Jacques Emile Blanche also painted her dancing the Firebird.
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Interesting her comments
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