
“After the artist’s death on the Western Front in 1916, Marc’s widow and organizer of his estate described this work as follows: ‘In front of a stormy sky lightly tinged from purple to rusty red, draped with small clouds, blue crags with different shading (ultramarine) in the foreground, two green chamois are jumping across blue rocks. The rhythm of their movements is accentuated by two coloured semicircles (tree-trunks), diagonally cutting through the whole picture. In colours complimentary to Blue against Green (orange and reddish brown)’ (M. Marc, ‘Notes on Gemsen’, quoted in A. Hoberg & I. Jansen, Franz Marc, The Complete Work, vol. 2, London, 2004, p. 167)… The ‘animalisation’ of art was Marc’s aim of rendering a pictorial vision of the world as it might be seen from within – through the feeling and the senses of the living, sentient beings (animals and man) who inhabited it. Gemsen, with its two chamois or mountain goats shown elegantly springing against an undulating blue-mountain background and through an aperture formed by the curve of two trees, is a deceptively simple and in fact stunningly composed painting that both asserts and encapsulates this visionary aim.”
READ FULL ESSAY: Christie’s
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Franz Marc’s artist page at Guggenheim
Franz Marc: The Painter Who Loved Horses
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Thanks for Visiting 🌻
~Sunnyside

Thank you for the lovely Vivaldi and painting. I haven’t received notices for your posts for a while. I was wondering if you went on break. In any case, it was nice to see your notice in my mail box this morning. I do enjoy your blog. 🙂 Have a great weekend.
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Life has had other plans for me this year, and my poor blog has been sorely neglected – a situation I hope to remedy over the summer. Thanks so much for your visit and your kind words, Sheila. 🌻
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That happens to us all sometimes. Just know you were missed. 🙂
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❤️🌻🙏
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