Each Scottish Colourist had his own set of specific goals and aims, but between them the four also shared much common ground. They were all born in Scotland in the 1870s to middle class families, and at various different times each visited France to experience the burgeoning avant-garde first hand, returning to Scotland brimming with…
Category: Scottish Colourists
Samuel Peploe: Tulips in a Pottery Vase
See More Tag: Samuel Peploe At Sunnyside Tag: Scottish Colourists At Sunnyside Samuel John Peploe at National Gallery Scotland Samuel John Peploe at ArtUK Read More Samuel John Peploe at wikiwand Thanks for Visiting 🙂 ~Sunnyside
John Duncan Fergusson: On the Road to the Isles (1928)
Click For Enlarged Detail Slideshow best viewed At Sunnyside Details John Duncan Fergusson (1874-1961) On the Road to the Isles signed and dated ‘J.D. FERGUSSON./1928’ (on the reverse), signed again and inscribed ‘THE ROAD TO THE ISLES,/J.D. FERGUSSON’ (on the artist’s label attached to the stretcher) oil on canvas 22 x 24 in. (55.9 x…
Samuel Peploe: Red and White Tulips (early 1920s)
Who Is Samuel Peploe? Samuel John Peploe (1871 – 1935) is a Scottish Post-Impressionist painter, noted for his still life paintings. He is the best known of the Scottish Colourists, a group including John Duncan Fergusson, Francis Cadell and Leslie Hunter. Peploe explains his focus on still lifes as follows: ‘There is so much in…
John Duncan Fergusson: Cassis Through the Trees (1920s)
Cassis through the trees shows the raw beauty of nature as the main character, and even when it reveals a glimpse of the village of Cassis, Fergusson’s stylised Provençal landscape dominates the foreground. Looking beyond, white architecture with oranges roofs and the shiny blue of the sea can be seen in the centre of the…
John Duncan Fergusson: Fleurs (1908)
In 1907, with his interest in the advancement of contemporary art in Paris and frustration with conservative Scotland, an inheritance following his father’s death in 1906 allowed Fergusson to move to Paris permanently. Fleurs wonderfully epitomises the dramatic effect the European influences had on Fergusson’s work: a lighter palette, flattening of form and a heavy…
