John Duncan Fergusson (1874-1961), On the Road to the Isles, signed and dated ‘J.D. FERGUSSON./1928’ (on the reverse), signed again and inscribed ‘THE ROAD TO THE ISLES,/J.D. FERGUSSON’ (on the artist’s label attached to the stretcher), oil on canvas, 22 x 24 in. (55.9 x 61 cm.), Source: Christie’sJohn Duncan Fergusson (1874-1961), On the Road to the Isles, signed and dated ‘J.D. FERGUSSON./1928’ (on the reverse), signed again and inscribed ‘THE ROAD TO THE ISLES,/J.D. FERGUSSON’ (on the artist’s label attached to the stretcher), oil on canvas, 22 x 24 in. (55.9 x 61 cm.), Source: Christie’s (detail)
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John Duncan Fergusson (1874-1961)
On the Road to the Isles
signed and dated ‘J.D. FERGUSSON./1928’ (on the reverse), signed again and inscribed ‘THE ROAD TO THE ISLES,/J.D. FERGUSSON’ (on the artist’s label attached to the stretcher)
![screenshot_2019-01-14 2016_cks_12226_0162_000(john_duncan_fergusson_on_the_road_to_the_isles) jpg (jpeg image, 3200 × 2966 [...]](https://atsunnyside.files.wordpress.com/2019/01/screenshot_2019-01-14-2016_cks_12226_0162_000john_duncan_fergusson_on_the_road_to_the_isles-jpg-jpeg-image-3200-×-2966-....jpg)
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At Sunnyside - Where Truth and Beauty Meet 
Can’t get over the wide brush strokes. Boldness? Immutability? Wildness? Impenetrability? Maybe all of the above
pax,
dora
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I would have loved to observe his methods in real life. Those brushstrokes fascinate me, too. Thanks for visiting, dorahak. 🙂
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