Latin text: Ave Maria, gratia plena, Dominus tecum; benedicta tu in mulieribus, et benedictus fructus ventris tui. Alleluia. Translation: Hail Mary, full of grace, the Lord is with thee; blessed art thou among women, and blessed is the fruit of thy womb. Alleluia. Click for Detailed Image Slideshow best viewed At Sunnyside Learn More Merry…
Tag: Netherlandish art
Monteverdi: Beatus vir primo, SV 268
Psalm 112 in Music Psalm 112 has been included in various places in Western Christian liturgy, especially in the context of vespers, and has been popular for musical settings, which are generally known by their opening words, Beatus vir. A database of psalm settings by Italian composers of the 17th and 18th centuries lists 81…
Josiah Gilbert Holland: “God Give Us Men”
Wanted by Josiah Gilbert Holland God, give us men! A time like this demands Strong minds, great hearts, true faith and ready hands; Men whom the lust of office does not kill; Men whom the spoils of office cannot buy; Men who possess opinions and a will; Men who have honor; men who will not…
Rogier van der Weyden: The Crucifixion, with the Virgin and Saint John the Evangelist Mourning (c1460)
The Philadelphia Diptych Crucifixion Diptych — also known as Philadelphia Diptych, Calvary Diptych, Christ on the Cross with the Virgin and St. John, or The Crucifixion with the Virgin and Saint John the Evangelist Mourning — is a diptych by the Early Netherlandish artist Rogier van der Weyden, completed c. 1460, today in the Philadelphia…
Wishing You Joy on Christmas Day!
Latin text: Ave Maria, gratia plena, Dominus tecum; benedicta tu in mulieribus, et benedictus fructus ventris tui. Alleluia. Translation: Hail Mary, full of grace, the Lord is with thee; blessed art thou among women, and blessed is the fruit of thy womb. Alleluia. Click for Detailed Image Slideshow best viewed At Sunnyside Learn More Merry…
Pieter Bruegel the Elder: The Harvesters (1565)
The First Modern Landscape The Harvesters, painted by Pieter Bruegel the Elder in 1565, represents “a watershed in the history of western art” at at time when “the religious pretext for landscape painting has been suppressed in favor of a new humanism, and the unidealized description of the local scene is based on natural observations.”…
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