Artemisia Gentileschi: Self-Portrait as the Allegory of Painting (1638–39)

Artemisia Gentileschi (Italian, 1596–1654), Self-Portrait as the Allegory of Painting, 1638–39, oil on canvas, Royal Collection Trust, Image Source: wikimedia

“As a self-portrait the painting is particularly sophisticated and accomplished. The position in which Artemisia has portrayed herself would have been extremely difficult for the artist to capture, yet the work is economically painted, with very few pentiments. In order to view her own image she may have arranged two mirrors on either side of herself, facing each other. Depicting herself in the act of painting in this challenging pose, the angle and position of her head would have been the hardest to accurately render, requiring skilful visualisation.”

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Royal Collection Trust

Lea Desandre & Thomas Dunford perform “À Chloris” (Reynaldo Hahn)

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Royal Collection Trust

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Artemisia Gentileschi at wikiwand

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Artemisia Gentileschi at Royal Collection Trust

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~Sunnyside

5 Comments Add yours

  1. Thank you! This was beautiful. 🙂

    Liked by 2 people

  2. christinenovalarue's avatar christinenovalarue says:

    🩵

    Liked by 1 person

  3. Dee's avatar Dee says:

    I wonder what the story is behind the necklace that she is wearing.

    Liked by 1 person

    1. I would love to know! I didn’t see the head (skull?) until I enlarged the image in response to your question. Thanks, Dee! 🙂

      Like

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