
“Painted circa 1922, Le corsage rayé presents a radiant and quintessential example of Bonnard’s mastery of the interior scene. Painted from memory, Bonnard’s domestic vignettes stemmed from lived experience and years of inhabiting the same space as his subjects. Among his favoured models, …was his long-time muse and eventual wife Marthe de Méligny… Marthe’s enigmatic presence populates dozens of his works just as she suffused their shared life in the south of France. The dark-haired beauty is seen always in quiet, contemplative moments and most frequently portrayed at the table or in the bath, her gaze thoughtfully cast downward or away from the viewer.
READ FULL ESSAY: Sotheby’s
Hear More
Read More
Pierre Bonnard at The Art Story
Bonnard, Pierre, Colta Feller Ives, Helen Emery Giambruni, and Sasha M. Newman. 1989. Pierre Bonnard, the graphic art. New York: Metropolitan Museum of Art. http://libmma.contentdm.oclc.org/cdm/ref/collection/p15324coll10/id/92079 , (accessed 8 Nov 2018).
See More
Art by Theme at Giverny Museum of Impressionism
