International Women’s Day 2024

Bertha Wegmann (Danish, 1847–1926, *Reading woman at the tea table.* 1899. Signed B. Wegmann. Oil on canvas. 96 x 100 cm., “Læsende dame ved tebordet (Hanna Lucia Bauck)”. Reading woman at the tea table (Hanna Lucia Bauck). 1899. Signed B. Wegmann. Oil on canvas. 96 x 100 cm., Image Source: Bonhams

CLOSED CAPTIONS FOR ENGLISH TRANSLATION

Music at a Glance

(00:00) Excerpt from Amy Beach’s “Dreaming”
(00:46) Raphaela Gromes on the female composers she selected for her project “Femmes”
(01:43) First excerpt from Pauline Viardot-García’s “Six Morceaux, VWV 3003, II. Bohémienne”
(02:19) Raphaela Gromes on the French Opera singer and composer Pauline Viardot-García
(02:50) Second excerpt from Pauline Viardot-García’s “Six Morceaux, VWV 3003, II. Bohémienne”
(03:16) Raphaela Gromes on gender equality in the classical music industry
(03:55) First excerpt from Clara Schumann’s “Three Romances, Op. 22, III. Leidenschaftlich schnell“
(04:33) Raphaela Gromes on discrimination in the 19th century against women like Clara Schumann
(05:35) Second excerpt from Clara Schumann’s “Three Romances, Op. 22, III. Leidenschaftlich schnell“
(05:53) Raphaela Gromes on the relationship between Robert and Clara Schumann
(07:06) Third excerpt from Clara Schumann’s “Three Romances, Op. 22, III. Leidenschaftlich schnell“
(07:52) Excerpt from Billie Eilish’s “No Time to Die”
(08:33) Raphaela Gromes on her curiosity for music
(08:58) Excerpt from Florence Price’s “Adoration”
(09:46) Raphaela Gromes on the African-American composer Florence Price
(10:29) Raphaela Gromes on American composer Amy Beach
(11:13) Excerpt from Amy Beach’s “Four Sketches, Op. 15”
(11:50) Raphaela Gromes on the polymath and composer Hildegard von Bingen
(12:24) First excerpt from Hildegard of Bingen’s “O virtus Sapientiae”
(12:34) Raphaela Gromes on the differences between female and male composers
(13:35) Second excerpt from Hildegard of Bingen’s “O virtus Sapientiae”
(13:51) Raphaela Gromes on the role models who inspired her in her youth
(14:40) Third excerpt from Hildegard of Bingen’s “O virtus Sapientiae”
(14:58) Raphaela Gromes on gender quotas in the music industry
(15:31) First excerpt from Georges Bizet’s “Carmen Fantasy” (arr. Julian Riem)
(16:06) Raphaela Gromes on strong female role models in opera
(17:09) Second excerpt from Georges Bizet’s “Carmen Fantasy” (arr. Julian Riem)