“The dazzling Le Renouveau by the Belgian painter, sculptor and decorative artist George Morren ranks among the most accomplished works of the Neo-Impressionist movement…Shimmering with the light and reflection of the mid-day sun, this springtime scene of a wet nurse with babe-in-arms displays Morren’s talents at their best…Because he was independently wealthy and did not need to sell his art, Morren never gained the prominence of his compatriot and fellow Neo-Impressionist painter Théo van Rysselberghe. Nonetheless, Morren participated in exhibitions with van Rysselberghe, Signac and Seurat, and his compositions of the 1890s rival those of his elite colleagues.”

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