Edgar Degas: The Ballet Class (1871-1874)

“Compared to the other Impressionists, Edgar Degas was more of a traditionalist. The Frenchman didn’t paint en plein air, his color palette was subdued for much of his career and his spontaneity was painstakingly rehearsed. With a fascination for human anatomy reminiscent of Leonardo da Vinci, he would do countless studies for one single painting….

Lilian Westcott Hale: ‘Floretta’

‘Floretta’, or ‘Portrait of Agnes Doggett’ A member of the Boston School of Impressionists, Hale focused on capturing the diffusion of natural light in domestic interior scenes and portraits of women in elaborate dress. Here the sitter is Agnes Doggett, a neighbor who frequently posed as a model for Hale—at twenty-five cents an hour, to…

Bibi Zogbé: Untitled (1936)

Charles Corm (1894-1963), a Lebanese writer, said about Bibi’s hidden world behind her flowers: “Each one of Bibi flowers seems a naked soul, tormented by passion, sobbing with delight, tensed to the extreme, reaching towards infinity.” Dalloul Art Foundation, quoting from [8] Zoghbé, Bibi., and Charles. Corm. Bibi Zogbé. Les Peintres Du Liban ; Premier…

Nikolai Tarkhov: Les Bretonnes

The ‘Moscow Parisian’ “Brittany’s rich heritage and traditional ways of life inspired many of Paris’ best-known artists, from Corot to Monet, Gauguin and Matisse. The advance of Impressionism, in particular, resulted in a surge of interest among artists eager to paint en plein air within reach of the French capital. This important early work by the…

Henri Lebasque: Marthe et Pierre Lebasque dans un intérieur, (1913-14)

Painter of ‘Joy and Light’ Painted in 1913-1914, Marthe et Pierre Lebasque dans un intérieur by Henri Lebasque continues his theme of painting interiors, often including his own family members. This painting depicts Lebasque’s children Marthe and Pierre. As Lisa Banner observes, ‘Intimism, a term which best describes Lebasque’s painting, refers to the close domestic subject…

Jean-Honoré Fragonard: Young Girl Reading

‘A Young Girl Reading’ The Rococo painting by French artist Jean-Honoré Fragonard (c.1770) features an unidentified young woman wearing a rich, saffron-yellow dress with glowing, white ruff, collar, and cuffs; lavender ribbons accent her bodice, neck and hair. Shown in profile, she is reading from a small book with reddish gilt edging held in her…

Dame Laura Knight: The Fairgrounds, Penzance

Who Was Dame Laura Knight? Dame Laura Knight (1877-1970) was an English artist in the figurative, realist tradition who embraced English Impressionism. According to Tate.org “Influenced by Impressionism and the Newlyn School in Cornwall, Knight’s subject-matter is contemporary without being avant-garde. Dismissed by Modernists for her lack of interest in formal experiment, Knight’s insistent realism…

Vincent van Gogh: Laboureur dans un champ, St Remy (1889)

Click For Enlarged Detail Slideshow best viewed At Sunnyside Details Vincent van Gogh (1853-1890) Laboureur dans un champ oil on canvas 19 7/8 x 25 ½ in. (50.3 x 64.9 cm.) Painted in Saint Rémy, early September 1889 image source: Christies Thanks for Visiting 🙂 ~Sunnyside

Marie Spartali Stillman: Beatrice (1895)

Who Is Maria Spartali Stillman? Marie Euphrosyne Spartali, later Stillman, (1844 –1927), was a British Pre-Raphaelite painter and model, arguably the greatest female artist of that movement. During a sixty-year career, she produced over one hundred and fifty works, contributing regularly to exhibitions in Great Britain and the United States. (2) One Dante Is Never…

Leon de Smet: Maria with Flowers

Click for Enlarged Details Slideshow best viewed At Sunnyside See More Leon de Smet at Christie’s Leon de Smet at Sotheby’s Leon de Smet at Tutt’Art. Thanks for visiting 🌻 ~Sunnyside

Sir Alfred James Munnings: The Boathouse (1906)

Munning’s Earliest Boating Theme According to Christie’s, Idle Moments; or The Boathouse (1906) “is the earliest boating theme, foreshadowing [Sir Alfred James Munnings’] series of ladies in canoes painted in the 1930’s and 40’s.”  The description continues: This scene is the boathouse at Mendham … The lady in the back reclines and contentedly settles in…

William Merritt Chase: At the Seaside (1892)

At the Seaside Beginning in 1891 Chase taught at a summer art school in Shinnecock, Long Island. The following year, he and his family moved into their new summer home, Shinnecock Hall… Chase taught at the beach resort until 1902, conducting open-air classes for as many as a hundred students each summer. This work is…

Gyula Benczúr: Moorish Boy (1914)

Gyula Benczúr (1844 – 1920) was a Hungarian painter and art teacher who specialized in portraits and historical scenes. See More At Sunnyside Gyula Benczúr: Reading Woman in the Forest (1875) See More By This Artist Works and biography of Gyula Benczúr @ Fine arts in Hungary Works of Gyula Benczúr held in Slovak art…

Mary Cassatt: Lydia Crocheting in the Garden at Marly

“Cassatt and her family spent the summer of 1880 at Marly-le-Roi, about ten miles west of Paris. Ignoring the village’s historic landmarks in her art, Cassatt focused instead on the domestic environment. Here, she portrayed her elder sister, Lydia, fashionably dressed and insulated by a walled garden from any modern hurly-burly. Lydia is absorbed in…

Happy Birthday, Dear One!

Although you are missed today as every other day, you will always be a part of every lovely landscape. ❤️❤️❤️

Nikolai Bogdanov-Belsky: Country Boys (1916)

Bogdanov-Belsky’s Best Bogdanov-Belsky’s pre-revolutionary works include some of his most striking canvases, the scale alone often an indication of his artistic confidence. The present lot is an exceptional example of the qualities that mark out these rare, early paintings – tight brushwork, vivid blues and greens, and an impact that would grow gradually more diffuse…

Jacopo Ligozzi: Christ Carrying the Cross

The Power of Narrative Painting Much has been written about Jacopo Ligozzi’s Christ Carrying the Cross, a dramatic narrative portrayal of Christ surrounded by his persecutors and onlookers on the way to Calvary. I did not understand the power of this painting until studying the enlarged details in the face of Christ. With close proximity,…

Philip Leslie Hale: The Rose Tree Girl (1922)

Boston School of Impressionists Philip Leslie Hale was a leading member of the Boston School of Impressionists, along with Edmund Tarbell, Frank Weston Benson, William McGregor Paxton and Joseph De Camp, among others. Following studies at the Art Students League in New York, Hale traveled abroad to Paris in 1887 to study at the Académie…

Odilon Redon: La Voile Jaune

Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist.

Known for his unique blend of artistic naturalism and symbolic subject matter, Odilon Redon was highly influential among the late 19th century French avant-garde circle. Working in charcoal, pastel, oil, and lithography, Redon created …

Endre Penovác: ‘Miracle on Paper’

“The way of watercolor painting is like our world. The predictable, plannable and the unpredictable, unexpected happenings make [the painting] complete. Therefore, I apply watercolor technique in a way that allows paint and water to create miracles on the paper. Man, too, is like this, a merger of sense and sensibility.”  Endre Penovác Who Is…

Lilian Westcott Hale: American Impressionist

Who is Lilian Westcott Hale? Lilian Westcott Hale, daughter of a businessman and piano teacher, is remembered as one of America’s most successful Impressionist painters of the Boston School. She was born in 1881 in Hartford, Connecticut, and began her art education in 1900 at the School of Fine Arts in Boston. An important member…

James Tissot: Chrysanthemums

The woman in Chrysanthemums is almost overwhelmed by the brilliant blooms surrounding her. She has rolled up her sleeves to adjust a pot, her blurred features suggesting we have caught a glimpse of her in motion. Tissot staged this scene in the conservatory attached to his studio, a glass panel of which is visible in the…

Odilon Redon: Etruscan Vase With Flowers

Odilon Redon’s Originality “Etruscan Vase With Flowers”, like so many of Redon’s other works, feels and looks like another world. Though there is nothing unconventional about the subject matter itself, he paints flowers that do not exist in nature with colors that are unexpected. The result is an extraordinary and original artwork. The Metropolitan Museum…