Hermenegildo Anglada-Camarasa: La Gata Rosa (c.1908)

La Gata Rosa corresponds to this period of large-scale works, having being painted in the usual size for large exhibitions and salons of the time. Here the painter shows us one of his favourite themes in this second Parisian period (1904 – 1914): the female portrait. In this case it is Georgette Leroy, wife of…