
“By the 1890s, pastel had become his most favoured medium as it allowed him a variety of techniques and, crucially, the chance to build up complex layered colour schemes, as is evident here…This is evident, for instance, in the areas of shadow and light, for instance the turquoise area by the right-hand dancer’s left leg…Degas’ attention to colour effects can be seen in a more striking way by the contrast between the yellow skirts of the title and the background, be it the floor or the green of the painted landscape of the screen behind them.”
READ FULL ESSAY: Christie’s
…Perhaps he best described his fascination with these dancers, with the artifice of their performances and the elegance of their movements, in the last lines of one of his own sonnets:
‘Leap, soar! you priestesses of grace,
For in you the Dance is embodied now,
Heroic and remote. From you we learn
Queens are made of distance and dyed flesh’(Degas, quoted in R. Gordon & A. Forge, Degas, London, 1988, p. 192).
READ FULL ESSAY: Christie’s
See More
Read More
Thanks for Visiting 🌻
~Sunnyside

Thank you so much. I love the colors of this painting.
LikeLiked by 1 person