Edgar Degas: The Four Ballerinas in Blue (c1897)

Click for Enlarged Detail Slideshow best viewed At Sunnyside Read More Italian wikiwand “Ballerine dietro le quinte“ Google English translation of the Italian wikipedia page Note I found several different names for this painting on various websites. Thanks for Visiting 🙂 ~Sunnyside

Edgar Degas: The Singer in Green (c.1884)

A sale catalogue in 1898 described the dancer pictured in Edgar Degas’ pastel, The Singer in Green: “Skinny and with the graceful moves of a little monkey, she has just sung her ribald verses and, with a gesture that conceals an entreaty behind her smile, is inviting applause.” With her small eyes, high cheeks, and…

Edgar Degas: The Ballet Class (1871-1874)

“Compared to the other Impressionists, Edgar Degas was more of a traditionalist. The Frenchman didn’t paint en plein air, his color palette was subdued for much of his career and his spontaneity was painstakingly rehearsed. With a fascination for human anatomy reminiscent of Leonardo da Vinci, he would do countless studies for one single painting….

Cynthia Gregory and Ivan Nagy: “In A Rehearsal Room”

Seven Minutes of Magic According to shippermd, this video is  “An EXTREMELY RARE, 1976 film-short of a romantic Pas de Deux Ballet to Pachelbel’s Canon In D Major.”  Produced by David Hahn and choreographed by William Carter, this film highlights the talents of dancers Cynthia Gregory and Ivan Nagy. About ‘In A Rehearsal Room’, Director…

Edgar Degas: Danseuses en Blanc (c.1878)

Degas – Painter of the Ballet In this sparklingly fresh work in pastel, Degas captures a group of four dancers in mid-flight as they step out from the wings. Their arms and legs extended in arabesque, their black neck ribbons, colorful headdresses and frothy white tutus are caught in the bright glow of the footlights….

Edgar Degas, La Loge (1880), via The Paris Review

Art and the Stories We Tell Ourselves Cody Delistraty writes in The Paris Review, “Degas ultimately thought that his paintings of the women who performed at the opera cut through the stories they were telling themselves, about their claims to beauty, status, and talent. He believed that was the goal of the artist: to separate…

Edgar Degas: The Entrance of the Masked Dancers (1879)

Connection: Mozart’s ‘Don Giovanni’ According to ClarkArt.edu, “Unlike many of Degas’s ballet scenes, which combine details from sketches made at different times, this pastel relates to a specific production of Mozart’s ‘Don Giovanni’. The viewpoint is that of an abonné, a subscriber with privileged access, like the top-hatted gentleman on the far side of the…