
“Living at Church Farm in Swainsthorpe from around 1903 until 1911, Munnings often rode with the Norwich Staghounds: ‘Hunting became a part of my life, and I saw many things on those days: bright winter sunlight on clipped horses and scarlet coats; on bare trees; stacks; on farmhouse gables; the riding out after a slight frost; the riding home with a frost beginning and a young moon in the sky; puddles already crisping over as I said good night to friends. Such were needed to freshen my mind and vision’ (A.J. Munnings, An Artist’s Life, London, 1950, p. 258).”
READ FULL ESSAY: Christie’s
The author of Munnings’ catalogue raisonné, Lorian Peralta-Ramos, connects the artist’s loathing of Modernism with the sadness he felt at the disappearance of pastoral life in Britain. ‘It was heart-wrenching for him to see the horse replaced by the machine,’ says the author.
From war horses to royalty: the art of Sir Alfred Munnings
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From War Horses to Royalty: The Art of Sir Alfred Munnings
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Really a wonderful illustration, in the body languages, of the relationship between an eager, well appreciated intelligent horse and calmly cooperative rider.
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As always, Ana, your perceptions amaze me. That loose rein speaks volumes about trust. 💞
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Yes, and you can tell by the horse’s expression and posture that it totally knows what it’s doing, and is happy to be doing it.
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