Marie Berrio: A Universe of One (2018)

Hat Tip Many thanks to Deborah J. Brasket for introducing me to this artist in the post Maria Berrio and the Art of Myth-Making Read More “María Berrío”. The Georgia Review. Maria Berrio at wikiwand Marie Berrio, The collage artist creating women she wants to see in the world At The Guardian: ‘Like magical realism’: María…

Marie Berrio: Flor (2013)

“Flor is a paradigmatic example of María Berrío’s acclaimed practice. Emerging from a textured gold ground evocative of a Medieval icon or Viennese Secession masterpiece, the figure is built up of innumerable pieces of wafer-thin Japanese paper and washes of watercolor. Berrio’s work sees her filter memories of her childhood spent on a farm in…

Marie Berrio: La Cena (2012)

Hat Tip Many thanks to Deborah J. Brasket for introducing me to this artist in the post Maria Berrio and the Art of Myth-Making Read More “María Berrío”. The Georgia Review. Maria Berrio at wikiwand Marie Berrio, The collage artist creating women she wants to see in the world At The Guardian: ‘Like magical realism’: María…

Maria Berrio: The Spike of the Crocus (2020)

Hat Tip Many thanks to Deborah J. Brasket for introducing me to this artist in the post Maria Berrio and the Art of Myth-Making Read More “María Berrío”. The Georgia Review. Maria Berrio at wikiwand Marie Berrio, The collage artist creating women she wants to see in the world At The Guardian: ‘Like magical realism’: María…

Maria Berrio: The Lovers 4 (2016)

“…Rooted in childhood memories of Colombia and the artist’s experience of migration, as well as a fascination with the relationship between humans and their environment, The Lovers 4 is charged with a history that is as personal as it is universal, and as timely as it is timeless. Executed in Berrio’s idiosyncratic paper collage style,…

Maria Berrio: The Celebration (2012)

“The Celebration lives up to its name with its kaleidoscopic array of colors and movements, which are meticulously created with handmade Japanese paper that Berrío sources from a trusted fabricator in Japan…Her work is thus an instance of care for materials, people, and cultures alike, which we can see in the optimism of The Celebration….