Kojima Torajiro and His Patron

SELFTorajiro_Kojima_-_Self_Potrait jpg (JPEG Image, 8688 × 5792 pixels).jpg
Self Portrait by Torajiro Kojima (1881 – 1929). Museum of Fine Arts in Ghent, Belgium, Torajirō Kojima [Public domain or CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0)%5D, from Wikimedia Commons

Japan Meets Modern Western Art

Torajiro Kojima (1881-1929) was a Japanese artist who chose to use the same visual language as the Impressionists. After a course in Western painting at the University of Fine Arts and Music in Tokyo, Japan, Torajiro Kojima left Japan in 1908 to study in Paris, aided by his patrons, the Ohara family.

A year later he enrolled at the Academy of Fine Arts in Ghent, Belgium, where he trained in Luminism. In 1912 Kojima returned to Japan. From 1920 onwards, he travelled to Europe several times at the request of Magosaburo Ohara to purchase Western art by Claus, Delvin, Monet, Matisse, Marquet and Rodin, among others. These paintings form the heart of the collection of the Ohara Museum of Art in Kurashiki, the first museum of modern Western art in Japan, opened in 1929.

As a painter, Torajiro Kojima was influenced by several European art movements. Besides Impressionism, he was also influenced by Fauvism, which shows in these self portraits.

Kojima Torajirō: Self Portrait #2

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OHara Museum of Art

The masterpieces collected by Torajiro Kojima for his patron, Ōhara Magosaburō,  form the base of the collection of Western art of the Ohara Museum of Art in Kurashiki, opened in 1929.

In 1930, to commemorate Kojima Torajiro, a Western-style painter who died the previous year, Kurashiki entrepreneur Ohara Magosaburo founded the Ohara Museum of Art. This private museum, featuring Western art, is the oldest in Japan.Magosaburo, well-known as a collector of Japanese art, highly respected Torajiro’s talent and his humble attitude towards art, and he sent Torajiro to Europe three times. Torajiro studied art in Europe and, at the same time, selected for Magosaburo superb European artwork, choosing pieces through the sense of beauty that he possessed as a Japanese artist.Torajiro, who had a spirit typical of Meiji Era, felt there was a struggle between the highlights of Western art and his Japanese aesthetic sense, when he carefully chose artwork. He prudently chose masterpieces by El Greco, Gauguin, Monet, Matisse and other artists and brought them to Kurashiki, which are now the main features of the Ohara Museum of Art. His collection of Chinese and Egyptian art reveals the conflict of beauty between Western and Oriental art that he faced, where he tried to seek the essence of art.

Quote from Ohara Museum of Art

 

Portrait of Ohara Magosaburō

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Torajiro Kojima at wikimedia

Thanks for Visiting 🙂

~Sunnyside

3 Comments Add yours

    1. Good morning, Patti! Thanks for visiting 🙂

      Liked by 1 person

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