
“Dating from the period in which Léon de Smet was living in an artists’ commune in Saint-Martens-Latem, in his native Belgium, the present painting displays the influence of French developments in Impressionist and Neo-Impressionist thought on the artist’s work…Particularly pertinent to this canvas is the Impressionist fascination with shadow and half-shadow; their infinite nuances of colour and shade. De Smet demonstrates his mastery of the concept in his subtle evocation of the foreground grass, setting the complementary colours of red and green, vermillion and emerald, against each other.
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Leon de Smet at Ruzhnikov Fine Art
Thanks for Visiting 🌻
~Sunnyside

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‘Half shadow’ was a new term for me. I was curious about it, and found this interesting article, which seems as though it could apply to photography as well as to painting.
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Thanks for the link, Linda. Very informative! 🙂
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Isn’t she great? Especially her Mozart is outstanding 😎
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YES! She is magnificent! 🙂🌻
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Thanks for sharing this
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It’s one of Mozart’s greatest concertos.
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Agree! 🙂🌻
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The loose pointillism travels well with the many Mozartian notes 👌
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Good morning, Ana! I am happy you enjoy these. 🙂🌻
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Good morning, my dear 🌄
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😎❤️🌺
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🤗
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beautiful piece of music
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I am listening to it again right now. I am happy you enjoy this one, too, Vivienne. 🙂🌻
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I have played this concerto. This is a wonderful interpretation of it.
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I have been replaying this one all morning. It really is a magnificent performance. Thanks for sharing your thoughts, Dolly. 🙂🌻
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The pleasure is mine, dear friend. 😻
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The music perfectly complements the painting: nice! 😊
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I love it when that happens! Thanks for visiting, Dora. 🙂🌻
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One of my very favorite piano concerti (but I love all of Mozart’s piano concerti). And such a flawless performance! Brava!
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I am happy you enjoy this, too, bluebird. Thanks for sharing your thoughts.🙂🌺
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