
‘Loiseau’s brush translates the vibrations of air and water, with its infinite modulations’ (Catherine Puguet, curator of the Musee de Pont-Aven’s 2001 retrospective Gustave Loiseau and Brittany).
“To this painting of air and light inherited from Impressionism, Loiseau adds a very personal signature: thick layers of paint, with apparent irregularities and disparities, evoking the roughness of cobblestones and wall renderings.”
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