From the collection of The State Russian Museum, St. Petersburg The motif of Russian autumn is often encountered throughout the career of Isaac Levitan, a master of the lyrical landscape. The traditional gathering of autumn leaves, the special transparency of the air and the feeling of sorrow at the passage of summer found a lively…
Tag: impressionism
Frederick Carl Frieseke: Under the Awning (1916)
“Frieseke’s celebrated Giverny subjects of women in domestic interiors, or, such as in the present example, enjoying moments of leisure in the village’s opulent gardens, are imbued with a remarkable sense of light and high-keyed palette adopted from the French Impressionists. William H. Gerdts writes, “It was Frieseke who introduced into the repertory of Giverny…
Claude Monet: Nymphéas
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Nikolai Bogdanov-Belsky: Latgalian Girls (updated)
Latgalian Girls Listening Latgalian Girls belongs to a series of paintings depicting the children of the territory of eastern Latvia which provided great inspiration for the artist following his permanent move to Riga in 1921. These sun-suffused canvases which captured the local peasant children in their native countryside were exhibited to great acclaim at the…
Eva Gonzalès, The French Impressionist
by jonathan5485 at my daily art display “One of my favourite paintings by Eva Gonzalès was her early work entitled Le Moineau (The Sparrow). The teenage model for this painting was the artist’s sister Jeanne. Jeanne Gonzalès appeared in over twenty of Eva’s works. It is a portrait of great elegance. It is a depiction…
John Singer Sargent: Carnation, Lily, Lily, Rose
The title comes from the song ‘The Wreath’, by the eighteenth-century composer of operas Joseph Mazzinghi, which was popular in the 1880s. Sargent and his circle frequently sang around the piano at Broadway. The refrain of the song asks the question ‘Have you seen my Flora pass this way?’ to which the answer is ‘Carnation,…
Edgar Degas: The Singer in Green (c.1884)
A sale catalogue in 1898 described the dancer pictured in Edgar Degas’ pastel, The Singer in Green: “Skinny and with the graceful moves of a little monkey, she has just sung her ribald verses and, with a gesture that conceals an entreaty behind her smile, is inviting applause.” With her small eyes, high cheeks, and…
Edgar Degas: The Ballet Class (1871-1874)
“Compared to the other Impressionists, Edgar Degas was more of a traditionalist. The Frenchman didn’t paint en plein air, his color palette was subdued for much of his career and his spontaneity was painstakingly rehearsed. With a fascination for human anatomy reminiscent of Leonardo da Vinci, he would do countless studies for one single painting….
Dame Laura Knight: The Fairgrounds, Penzance
Who Was Dame Laura Knight? Dame Laura Knight (1877-1970) was an English artist in the figurative, realist tradition who embraced English Impressionism. According to Tate.org “Influenced by Impressionism and the Newlyn School in Cornwall, Knight’s subject-matter is contemporary without being avant-garde. Dismissed by Modernists for her lack of interest in formal experiment, Knight’s insistent realism…
Chris le Roy: Bluebirds in Sunflowers
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Leon de Smet: Maria with Flowers
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Thomas Wilmer Dewing: Poppies and Italian Mignotte
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FREDERICK CARL FRIESEKE: The Parrots (1910)
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Sir Alfred James Munnings: The Boathouse (1906)
Munning’s Earliest Boating Theme According to Christie’s, Idle Moments; or The Boathouse (1906) “is the earliest boating theme, foreshadowing [Sir Alfred James Munnings’] series of ladies in canoes painted in the 1930’s and 40’s.” The description continues: This scene is the boathouse at Mendham … The lady in the back reclines and contentedly settles in…
Ambrose McEvoy: Portrait of Lady Gwendoline Churchill
When this work was exhibited at the New English Art Club just after Ambrose McEvoy’s shocking and sudden death of pneumonia at the age of only forty-nine, the Times critic praised the painting – which had been given pride of place in the exhibition – for serving ‘very well to recall the characteristic powers of…
Mary Cassatt: Lydia Crocheting in the Garden at Marly
“Cassatt and her family spent the summer of 1880 at Marly-le-Roi, about ten miles west of Paris. Ignoring the village’s historic landmarks in her art, Cassatt focused instead on the domestic environment. Here, she portrayed her elder sister, Lydia, fashionably dressed and insulated by a walled garden from any modern hurly-burly. Lydia is absorbed in…
Ambrose McEvoy: Lady Patricia Moore
“Despite being one of the most successful society portrait painters of his day, Ambrose McEvoy has until recently been overlooked. Born in 1877, McEvoy painted a plethora of important sitters throughout his career including Sir Winston Churchill and Lady Diana Cooper. McEvoy demonstrated exceptional artistic abilities from a young age. Encouraged by his father, Captain…
Nikolai Bogdanov-Belsky: Country Boys (1916)
Bogdanov-Belsky’s Best Bogdanov-Belsky’s pre-revolutionary works include some of his most striking canvases, the scale alone often an indication of his artistic confidence. The present lot is an exceptional example of the qualities that mark out these rare, early paintings – tight brushwork, vivid blues and greens, and an impact that would grow gradually more diffuse…
Renoir: Woman With a Cat (c.1875)
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Philip Leslie Hale: The Rose Tree Girl (1922)
Boston School of Impressionists Philip Leslie Hale was a leading member of the Boston School of Impressionists, along with Edmund Tarbell, Frank Weston Benson, William McGregor Paxton and Joseph De Camp, among others. Following studies at the Art Students League in New York, Hale traveled abroad to Paris in 1887 to study at the Académie…
Adolphe Borie: Edith Pettit
Click For Enlarged Detail Slideshow best viewed At Sunnyside Details Adolphe Borie (1877 – 1934) EDITH PETTIT signed Adolphe Borie (upper left) oil on canvas 16 by 20 inches, (40.6 by 50.8 cm)Source: Sotheby’s Link: http://www.sothebys.com/en/auctions/ecatalogue/2017/american-art-n09635/lot.94.html See More Adolphe Borie – Woodmere Art Museum Thanks for Visiting 🙂 ~Sunnyside
Mary Cassatt: The Tea
“Cassatt’s paintings often document the social interactions of well-to-do women like herself. The activities they depict—tea drinking, going to the theatre, tending children—fall within the normal routine for Cassatt’s sex and class. Yet the painter’s insistence upon representing such episodes from the modern world (even a sheltered segment of it), her dislike for narrative, and…
Camille Pissarro: The Boulevard Monmartre on a Winter Morning (1897)
After spending six years in rural Éragny, Pissarro returned to Paris, where he painted several series of the grands boulevards. Surveying the view from his lodgings at the Grand Hôtel de Russie in early 1897, Pissarro marveled that he could “see down the whole length of the boulevards” with “almost a bird’s-eye view of carriages,…
Sir Alfred Munnings: Langham Mill Pool
The Best of British Impressionism A strong supporter of en plein-air painting, Sir Alfred Munnings, “like the French Impressionist painters, … captures the salient qualities of form while conjuring the dramatic atmosphere of light, air, and colour.” Painted at a site only a few miles from his home, “Langham Mill Pool is an extraordinary example…
Gustave Caillebotte: Le Pont de l’Europe, esquisse (1876)
The painting depicts one of the engineering marvels of Caillebotte’s day, an immense bridge spanning the rail yards of the Gare Saint-Lazare. Two men gaze through the massive iron trellises of the bridge toward the depot, the roof of which is glimpsed between the X-shaped girders at the right. Rather than cloaking the latticework of…
Pierre-Auguste Renoir: Bal du moulin de la Galette
Masterpiece of Early Impressionism This painting is doubtless Renoir‘s most important work of the mid 1870’s and was shown at the Impressionist exhibition in 1877. Though some of his friends appear in the picture, Renoir’s main aim was to convey the vivacious and joyful atmosphere of this popular dance garden on the Butte Montmartre. The…
Caillebotte: Chrysanthemums in the Garden at Petit-Gennevilliers (1893)
This emphasis on flatness and relatively large areas of mostly solid color is also a major feature of the Japanese prints that captivated the Impressionists and Post-Impressionists. The references to Japanese art and culture don’t end there as the chrysanthemums themselves were, as Met Museum curator, Jane R. Becker points out, “prized at the time…
Henri Martin: L’Eglise de Labastide-du-Vert
“Rare As Precious Stones” “If I look at a fragment of Henri Martin’s canvas… I immediately recognize it. I see a great number of dots of different colors, as precious and rare as precious stones. His palette is an enchantment. Many different interminglings of colors make a rare and rich harmony… And it is much more difficult…
John Singer Sargent: Girl Reading by a Stream
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Robert Lewis Reid: Fleur de Lis
Who Is Robert Lewis Reid? American impressionist Robert Reid was born in Stockbridge, Massachusetts in 1862. A painter of landscape, figures, still-life and murals, Reid was one of the founding members of the ‘Ten American Painters’, a group of Impressionists who rebelled against traditionalism in 1897. According to The Met, “Robert Reid was among the…
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