
“Painted in 1925, the present work is an outstanding example of Anglada-Camarasa’s departure from his early depictions of gitanas as the colourfully exotic denizens of the gaudy music halls and cafés-concerts of Paris. From 1907 Anglada-Camarasa began to paint his gitanas in a softer, more vulnerable light, accompanied by small children. Blossoming, vibrant flowers encircle the figures of mother and child, with a new luminous palette highlighting this allegory of motherhood.”
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Hermenegildo Anglada Camarasa At Sunnyside
Hermenegildo Anglada Camarasa at Christie’s
Hermenegildo Anglada Camarasa at Sotheby’s
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Hermenegildo Anglada Camarasa at wikiwand
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